My art practice concentrates on the use of photographic images and processes to conceptually engage the contradictions, limitations, and fragmented simplifications that are inherent in photography. Material experimentation are developed into gallery installations that incorporate straight photographs, performative process-based works and sculptural elements in order to create a complex visual and material experience. Drawing from diverse photographic genres such as tabloid, forensic, Victorian memento-mori, occult, and camera-less photography, I investigate the ways in which the material conditions and specialized languages of the photographic medium shape our relations to history, power, and the production of images.