All is for the best… is composed of square collages arranged with fragments of imagery cut from luxury high-fashion magazines and interspersed with geometric shapes of red paper. The 12 collages are unified into a gridded composition with a shimmering backing of silver fabric and embellished with jewelry chains and tassels. The work’s layered iconography combines elements reminiscent of the “mood” or “vision” boards used in the development of interior decorating schemes and advertising campaigns. The collaged composition suggests symbolic ranking motifs of military uniform and the dynamic geometries recall early 20th century constructivist design. In mixing the aspirational motifs of luxury goods, military uniforms and the visual language of the avant- guard, putting forth a shaded critique of the way the economies of desire militantly reinforce the status quo and use the desire to accumulate more beauty as the most noble of ideals.